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“Maybe they were heavily invested in software ownership. They have removed barriers for non rich people, and cause of that all of a sudden nothing outside of the subscription model is even conceivable?! Try harder. IMan… If they are as successful as you claim they are, then they can sure have a perpetual license as an option. Native Instruments is going to have to do a lot more to be able to duplicate Adobe’s model, but they’re obviously taking a step in that direction.
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Otherwise, Adobe’s model wouldn’t be incredibly successful and other companies would not be trying so hard to duplicate their success. Maybe they don’t like that new users can get the software, without spending the type of money you had to 10 years ago. Maybe they were heavily invested in software ownership. There are obviously some people, like you, that hate subscription models. So Adobe customers and investors have benefited tremendously. The subscription model removed that barrier to entry and makes it possible for just about anybody to use their software. People could only use it if they were rich or if they had it at work. The entry level pricing for Adobe’s Creative Suite was $1300 back then. Adobe is literally worth 20 times what it was worth 10 years ago, before Creative Cloud was introduced. My beef with Cherry Audio is they move too fast for me to keep up with them, so I stopped trying. Cherry Audio is the rising star in the industry. Cherry Audio – They have put out at least a dozen new instruments since NI released Massive X. They are better at putting stuff out and updating it than Native Instruments and even Korg.
Massive native instruments trigger full#
Full Bucket – they are going to get my next money even though they release their stuff as shareware. Roland? Their constantly changing software plan confuses me, and I don’t need anything they sell enough to keep up with their changes. They are pretty slow at coming up with new things.
Massive native instruments trigger update#
Korg updates are slow, but when they do update they do a good job.
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I havent had reason to pay them any money since 2017. Their User interfaces remain mired in 2003. In contrast, Native Instruuments barely updates its stuff. Arturia usually finds a way to get about $150/year from me in updates and new instruments – but they are good about updating their plugins, and they come out with 1-2 brand new instruments a year that are really good and another 1-2 that arn’t my cup of tea.